homelessness

The Little Girl Who Sold the Sun Film Difficulty Ranking: 3

The Little Girl who Sold the Sun is an ode to the potential of Africa’s most oppressed. The main character, Sili, is a poor, disabled girl trying to make a living for herself and her blind grandmother. The odds are stacked against her – is there any hope? Find out by watching it here (Amazon).

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Why Watch The Little Girl who Sold the Sun?

To meet the marginalised people of Dakar
Get inspired by the spirit of young Sili
It’s only a short film – so you can watch it in 45 mins
Girl Power! This girl can do whatever the boys can!

The Breakdown

The Little Girl who Sold the Sun starts with a chaotic scene on the streets of Dakar. A woman is accused of being a thief by a man in the street. The man runs up to her, grabs her bag from her, and rummages through the bag whilst the woman indignantly shouts that she’s innocent. A crowd of spectators gathers around them to watch and laugh at the fight. It’s an opening that quickly establishes a few things:

There’s sexism in Dakar – men hold power over women and can subject them to random searches and accusations and get away with it.
Classism – people in positions of power pick on poor people making a living.
The implicitness of everyone in Dakar. The spectators simply watch the powerful accuse the innocent and laugh at the unfortunates victimisation. Everyone is a part of the entrenched sexism and classism.

Our Saviour = Sili

Introducing Sili. She’s not meant to succeed in life: she’s poor, disabled, and a young. On top of that, she has to look after her blind grandmother.

So, how does she succeed? What isn’t obvious from first impressions is her incredible spirit and perseverance. She sees a few boys selling newspapers in the street and sees an opportunity. So she walks up to the newspaper office and demands some newspapers to sell.

She gets 13 newspapers (a lucky number) to sell, but she also inherits a bunch of rival sellers (all boys) and some jealous cops eager to see her fail. Watch the film here (Amazon) to see what happens.

Conclusion and What to Watch Next

The Little Girl who Sold the Sun is a great film to watch to revive your faith in humanity. Sili’s spirit gives hope to the oppressed of the world. It’s well worth sparing 45 minutes of your time to meet her.

If you want to watch more films about street kids, check out these three films:

Slumdog Millionaire: A film many of you will have seen, it’s a brilliant rags to riches story of two kids from the Mumbai slums.
City of God: For more violence and less hope, check out Fernando Meirelles film about street kids come slum lords in Rio de Janeiro
Tsotsi: Follow a young thug from the Johannesburg slums and see what he does when he finds a young baby in the back of a car he robs.

Or if you’re looking for more great contemporary West-African films, check out Wallay. You’ll meet a young kid from Paris who is taken on holiday to Burkina Faso to visit his family. What he doesn’t know is that his father intends to leave him there to work back the money he has stolen from him. It’s a great coming of age story.

La Chimera Film Difficulty Ranking: 3

Time-travel is a key ingredient of some of Hollywood’s biggest blockbusters. It holds an unnatural power to change the future and the past, adding the driving plot behind the Back to the Future and Terminator series from the 1980s and a few modern Christopher Nolan films. Over in Italy, Alice Rohrwacher has mastered the ability to use time-travel naturally. Instead of using it as the driving force of the plot and drama, it is the icing on the cake. She has combined time-travel with wholly Italian influences; De Sica’s Neo-realism and Fellini’s Surrealism, to make her own fantastic style.

From: Italy, Europe
Watch: Trailer, JustWatch
Next: Happy as Lazzaro, First Cow, Caro Diario

La Chimera – The Breakdown

La Chimera starts with a dream. Sepia-tinted snippets of a woman in a garden evokes the feeling of warm nostalgia. The dream is interrupted by a train conductor asking for tickets, which introduces us to our dreamer: Arthur, played by Josh O’Connor. He picks out a very old looking train ticket the size of a postcard and his train-cabin-mates pick up on his unusual accent and ask where he comes from. “Far,” is his one-worded answer, coding the mystery of his character.

So who is Arthur, and has he come from another era? He doesn’t reveal anything obvious on the train. It’s not clear where he’s going or coming from, and as per his one-worded answer in the paragraph above, we don’t know who he is or where he is from either. A few puzzle pieces are inferred from the following scenes, but these do not give us a complete picture. We find out that:

He’s English
He’s been in jail – likely as the fall guy for a troubadour group of associates
He’s looking for a woman
He has a special skill at finding treasures from the past

Whilst these attributes build his character, they also all add to his mysteriousness by leading to new questions:

Why is an Englishman in rural Italy with a group of grave-robbers?
What led to his capture and was he turned in?
Who is he looking for and what happened to them?
How did he get his supernatural skill?

This mystery makes him appear like he’s been picked up from another world and time and plonked into rural Italy.

Time-travel has popped up before in Alice Rohrwacher’s films. In her previous feature, Happy as Lazzaro, the titular character falls from a great height, blacks out, and reappears in a modern era, portaling from his previous life in feudal Italy. Whilst the time-travel is more metaphorical than literal, Rohrwacher makes the jump more believable by situating Lazzaro (the lead character) in a location stuck in the past; a small rural Italian town with old, decaying houses, no modern infrastructure, and no signs of modern technology, before transporting him to the modern city. The town that Arthur finds himself in is exactly the same setting as Lazzaro’s decaying town. His house is a DIY shack on the outside of the town wall, he visits the crumbling house of his lost lover, and electronic screens and electricity itself are practically non-existent. This setting, combined with Arthur’s mystery makes viewers accustomed to Rohrwacher’s films feel like Arthur is from another era and place, and has got lost in old-town Italy whilst searching for his lost love.

Conclusion

If the time-travel and mystery haven’t already sold you on watching La Chimera, know that watching La Chimera is like watching a bubbling pot of Italian Cinema influences whilst witnessing a new talent find their stylistic voice. There’s pieces of De Sica’s neo-realism in the poverty-stricken characters and tough world they exist in, fragments of Antonioni’s mood-driven mystery in their vague backgrounds and existence, and a large chunk of Fellini’s surrealism and panache in the bombastic scenes and cinematic magic. Rohrwacher in La Chimera manages to bring together all these influences whilst building on the natural time-travel of Happy as Lazzaro, forming her own style from the embers of the Italian classics.

The Little Girl Who Sold the Sun (Senegal) – Meet Dakar’s Street Kids