el pampero cine

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Castro (Argentina) – A Truly Original Action Film

Castro Film Difficulty Ranking: 3

Here’s a truly original action film. You’ll get to see some truly quirky (and Argentinian?) humour in this fast paced action comedy that you won’t see anywhere else. But even if you don’t understand why this trio is running all over town in search of one guy you can appreciate the cinematography (the editing and camera movement make it tick). Tune in for some Latin American fun!

Why Watch Castro?
  • You like your action films quirky and fast
  • You loved Naked Gun and Airplane! and want to see Argentina’s equivalent
  • For more films from Argentina’s El Pampero films – check out Extraordinary Stories for more great contemporary Argentine film
  • Watch out for the great score and cinematography
Breakdown

There’s a lot of running in the introduction to Castro. An awkward trio are chasing another guy across busy roads and city streets to a train station. Unfortunately for the trio, the guy they’re chasing disappears onto a train. At this point you’re probably thinking what the hell is going on!

And you’d be right to question. This isn’t your typical action movie. The characters are hilariously strange (almost on a Monty Python level). One of the spies hobbles around on crutches after injuring his leg and the guy they’re chasing always sleeps in closets. Argentine humour I guess?

Even if you’re not sold on the quirky humour, you can still appreciate the great editing. The fast paced feel comes directly from the editing. The camera moves along with runners and has a lot of moving close-ups which both reminded me (and might remind you) or the Oscar winning Birdman.

Conclusion

So if you love simple, quirky action films you’ll love Castro. It kind of reminded me of a mix between Robert Rodriguez’ El Mariachi and Monty Python. It’d fun, fast, and well made (look out for the cinematography).

For more Argentine films check out:

 

 

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Trenque Lauquen – AFI Fest 2022

Trenque Lauquen

If you’re ready to sit down for a few hours to indulge yourself in some cosy, trivial Argentine mysteries, meet the latest film from El Pampero Cine, Trenque Lauquen.

Trenque Lauquen comes from Laura Citarella, one of the members of El Pampero Cine, a group of filmmakers which also includes Mariano Llinas (La Flor, Extraordinary Stories), Agustin Mendilaharzu, and Alejo Moguilansky. Each of the members of the collective usually pop up in the credits of each other films under different roles, making each of the collective’s films feel like a team effort. They each also use the same actors, so if you’ve seen another of their films before, you’re likely to see a familiar face in this one.

Trenque Lauquen, like it’s El Pampero Cine predecessors, isn’t a light commitment. It’s just over 4 hours long, split roughly equally into two sections which are both tied together by Laura’s character. The entire film takes place in Trenque Lauquen, a city on the far west border of Buenos Aires province near La Pampa. It looks like a pretty unremarkable city, with nothing to really distinguish it from anywhere else in Argentina. However the blandness is all part of the film’s construct. As with the majority of films from the El Pampero Cine collective, Trenque Lauquen uses the mundane as a foundation for it’s engrossing mysteries.

Put best by Magu Fernandez Richeri for La Lista:

El Pampero’s films are, at their core, fairly simple. There aren’t any extraordinary premises, but they also work as tiny odysseys. Characters embark on fantastical adventures where the mundane is re-signified as something strange, new, and magical. The strangeness with which Pampero approaches the world is inherently transformational. Any and all minutiae represents a good excuse for them to tell a story as if we as the audience were kids listening in rapt attention, trying to keep us from seeing the world in its drab normality, allowing us to perceive things differently and hatch crazy schemes.

Trenque Lauquen, like La Flor and Extraordinary Stories, feels like indulgent storytelling. It’s as if the filmmakers of El Pampero Cine have been challenging each other to come up with new quirky mysteries to keep audiences interested for longer periods of time. They haven’t seemed to hit their limits yet as each of their last few films have kept audiences interested just to see where the mysteries lead us. Each of their films is like following a maze or river cruise full of pleasant surprises. Plus the pacing and characters are conducive to our immersion in the mystery; they’re both always patient and never rushed. They create the relaxed environment to let the mystery lead us along. Serious things happen in these films, but because of the tone, it never feels real-world serious. This is why these films are indulgent storytelling – they’re there to simply entertain and nothing more, and they do this better than anyone else in the industry.

Head to our AFI Fest 2022 Hub for more reviews from AFI Fest 2022.