5 months into the year and we’ve already had a bunch of great international films premiere at film festivals and virtual cinemas across the world. With film festivals such as Sundance and the Berlinale going virtual, viewers have had the chance to watch World Premieres that they might not have otherwise been able to see if the premieres were confined to theater screenings. It’s a bittersweet plus for film fans. Read on to find 10 of the best international films from 2021 so far. Some are already available at cinemas physically and virtually, and look out for the rest in the near future.
10 Best International Films of 2021 So Far
1. Night of the Kings (Cote d’Ivoire)
Night of the Kings follows Roman, the latest arrival to an Abijan’s infamous MACA prison as he is forced to engage in a storytelling ritual with his life on the line. It’s got high stakes, theater, and even an appearance from shapeshifter Denis Lavant. But the focus is always on the story – a story that Roman has to keep telling to survive. It’s brilliantly original and beautifully simple, whilst offering plenty to analyze.
Read the full review here.
2. Pebbles (India)
In Pebbles one angry father takes his young son out of school to visit his mother’s village. However, when they find out his mother has already left, they begin a long walk home under the burning sun. It’s simple storyline is hard to look away from as the camera brilliantly captures both the inhospitable landscape as well as the tension between the unpredictably violent father and his cautious son. So, if you’re looking for a film which compacts pure cinematic energy with a hot and arid environment in 75 minutes, you need to watch this film.
Pebbles premiered at the 2021 edition of the Rotterdam International Film Festival where it won the Tiger Award.
3. Softie (Kenya)
If you’re looking for an observational documentary that follows a political activist trying to change a corrupt system by running for government whilst showing the effects this has on their family, Softie is the film for you. Boniface “Softie” Mwangi was drawn to political activism during his time photographing the post election violence in 2007. Now, he’s running for office in a regional Kenyan election. To succeed, he has to radically change a democracy tainted by corruption, violence, and mistrust.
Read the full review here.
4. Taming the Garden (Georgia)
Taming the Garden is a slow documentary about a billionaire’s project to create a garden of the grandest trees in his country. Bidzina Ivanishvili, the billionaire, and former Prime Minister of Georgia, is the invisible villain of this film, as we follow his construction teams uproot trees from around the country to be transported across the seas to his home. The focus is not on his garden though, but the sublime images of the trees being transported and how they happened; the huge efforts of the construction teams and the locals caught in-between.
Read the full review here.
5. The Dog Who Wouldn’t Be Quiet (Argentina)
Dogs are everywhere. Before the pandemic, ownership seemed to be rising. Everyone either had a dog or knew someone who did, whether it was a neighbor or a colleague who brought their dog into work. Now, with everyone mostly still stuck at home, they’ve become even more popular. It’s within this context that The Dog Who Wouldn’t Be Quiet is set, a perfectly relevant, quietly funny Argentinian satire along the lines of Martin Rejtman.
Read the full review here.
6. The Pink Cloud (Brazil)
If there’s ever a movie that perfectly envisions the pandemic and quarantine, it’s The Pink Cloud. Made before COVID times, it follows Giovanna and Yago as their one night stand turns into a lifetime stuck together indoors as a poisonous cloud descends on the world. It’s probably one of the best portrayals of a relationship in lockdown.
Read the full review here.
7. Writing With Fire (India)
If you’re looking for an inspirational documentary that features a group of trailblazing women in India, watch Writing with Fire. It follows a group of Dalit women – Dalits being the lowest caste in the Indian caste system – that start a newspaper in Uttar Pradesh, one of India’s largest and most politically important states. The newspaper, Khabar Lahariya, stands out from others both because its written only by women and because of the emphasis on seeking out the truth no matter the stakes. It’s a great documentary for anyone interested in learning a bit about the current state of India and how to run a newspaper.
Read the full review here.
8. Stateless (Dominican Republic)
If you’re looking for a documentary that examines racism in the Dominican Republic’s past and present through two women campaigning at either end of the political spectrum, Stateless is the film you’re looking for. Like Softie, it’s another observational documentary that captures an activist outside the system fighting against corruption. However unlike Softie, it shows both sides of the fight against racism to highlight the contradictions of the ‘nationalists.
Read the full review here.
9. Come Here (Thailand)
Come Here is not the easiest film to follow. It’s slow art cinematic style isn’t conducive to a firm storyline. However, this doesn’t really matter as this is a film which you experience more than you follow. The unique soundscape and stylish black and white contrasts gives it a meditative tone. It feels like you’re just a dreamy fly on the wall following these four friends on holiday.
Come Here premiered at the 2021 edition of the Berlin International Film Festival.
10. Emptiness (Ecuador)
Emptiness is not a new story. The themes of the immigrant experience and human trafficking have been portrayed before in films such as I’m No Longer Here, Buoyancy, and Maria Full of Grace. However, the story in Emptiness just feels more authentic. There’s less melodrama and no violence or gangs which are intertwined into the stories of the films above. The immigrant’s experiences in Emptiness look less threatening, which highlights the invisible ordinariness of many human trafficking cases.
Emtpiness was selected as the Ecuadorian entry for the Best International Feature Film at the 93rd Academy Awards.
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