Black Girl Film Difficulty Ranking: 3

Do you want to see one of Africa’s best films from the 20th Century? Set aside 55 minutes to watch Black Girl below (please comment if the video is not working). Don’t let film scholars be the only ones to have seen this incredible film as this should be seen by everyone.

Why Watch Black Girl?
  • It’s short: it will only take 55 minutes of your time!
  • It features a strong female character
  • The best pieces of art are completed quickly. Black Girl was made in 20 days
  • Examine the legacy of colonialism
The Breakdown

Ousmane Sembene’s Black Girl starts with a big passenger ship arriving at a port in France. A finely dressed black woman, Diouana, leaves the boat wondering if anyone will be there to pick her up. Sure enough a white man greets her, takes her bags, and drives her off. After a few jump cuts in the car ride (a style made famous in Breathless by Jean-Luc Godard) she arrives at a house on the French Riviera.

The opening suggests Diouana is here to meet her friends. Because of her nice dress and the white driver meeting her, it initially appears that she shares equal status with the white French people. However, as soon as she enters the apartment, it becomes clear that she does not share the same freedoms as her employers. She is kept in the apartment all day, every day to clean and cook and never ventures out because she never gets paid and is never introduced to anyone (which is always helpful when you don’t speak the language). As a result, she is almost a slave.

What’s the significance of the African mask?

To get to know the film a little better, look out for the African mask. It first appears in the film when Diouana buys it from a small boy from her neighbourhood in Senegal. She then gifts it to her employer who first question it’s authenticity (‘it looks like the real thing’) and then hang it on one of their blank white walls in their apartment in France.

Firstly, the mask initially signifies equality between Diouana and her employer. The act of gifting implies that you share an equal standing with the person you give to. Initially, because of the gifting, Diouana is equal to her employer. However, when her employers dismiss the mask as a fake, they imply that Diouana cannot afford a real mask and therefore she is not on the same level as them.

Secondly, the mask is a metaphor for Diouana’s isolation in France. Like the mask hanging in the middle of a blank wall, she is alone and out of place in French society.

Lastly, the mask is a symbol of the misappropriation of African culture. In Africa the mask is alive as the young boy is shot playing with it and wearing it. However, in France, the mask is dead. In France, the mask has been reduced to an ‘exotic’ artifact which sits on a wall as a trophy of Diouana’s employer’s exoticism. It allows her employers to temporarily ‘play’ their ‘connection’ to African ‘exoticism’ without experiencing any of the discrimination they perpetrate. Just like a fancy dress that they can take off whenever they want.

Narration as a symbol of post-colonialism

When watching Black Girl you’ll notice that whilst Diouana doesn’t speak French, all her thoughts are narrated in French. Her consciousness has been taken over by a language that isn’t her own. She can’t physically speak French and therefore become equal to the French speakers in France, but she can think in French. In fact, French is the only language she actually thinks in via the narration.

This is symbolic of the legacy of French colonialism in Africa (in this case, Senegal). Although Senegal achieved it’s independence from France a few years before this film was made, by restricting Diouana’s consciousness to French Sembene emphasises the parasitic legacy of colonialism. The colonisers colonised Senegal and replaced it’s native culture with it’s own and disrupted Senegalese consciousness in the process.

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Conclusion

There’s so much more to say! Simply put, Sembene’s Black Girl packs a lot into just under an hour. If it’s not being studied at schools across the world, it should be. Everyone needs to watch this film!

If you haven’t seen it, you’re in luck. Watch it here on YouTube!

Atlantiques Film Difficulty Ranking: 3

Have you ever met someone who has crossed an Ocean/Sea in a canoe to find work? Here’s your chance to find out more about why some choose to migrate illegally, and about the perilous journey’s they take to find work. Watch Atlantiques for free here (Amazon – link may expire by 22.04.18).

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Why Watch Atlantiques?
  • Learn why some people choose to illegally migrate to Europe
  • Hear about the perilous journeys some immigrants take
  • To put yourself in the shoes of an immigrant and question what you might do if you had nothing to eat
  • It’s a short film directed by a female director!
The Breakdown

One day, Serigne chose to board a pirogue (a big canoe, often with sails) to travel from Senegal to Europe. The journey almost killed him. Waves as high as multi-story buildings whipped the pirogue that he was on making him feel like he was in a building that was tumbling to the ground. Simply put, the journey illegal immigrants undertake is often not pleasant.

Plus, the journey isn’t always the worst part…

  1. You could reach your destination after a perilous and often expensive journey and immediately getting deported.
  2. You have to say goodbye to your family, not knowing if you’ll ever come back home and see them again.

So why do so many people try and migrate every year? Serigne migrated because he had nothing but dust in his pockets and his family didn’t have anything to eat. Migrating was his attempt to put himself in a position to be able to feed his starving family.

How Mati Diop uses setting to bring the character’s and audience closer together

Most of the film is shot around a camp fire where Serigne and his friends debate migration and tell each other their experiences. It’s an intimate setting which draws us closer into their conversation and closer to their thoughts and experiences. Mati Diop deliberately chooses this setting because it brings the audience closer to the characters and to illegal immigration. By introducing us to Serigne (an illegal immigrant) in an intimate setting, we are more likely to sympathise with him and his experience, rather than judge him and illegal immigration without trying to understand it.

Conclusion and What to Watch Next

For more Senegalese film, check out the brilliant Black Girl , the story of one Senegalese girl brought to France to work for a French family. It’s full of injustice and currently available to watch here on YouTube.

If you’re interested in seeing more films about illegal immigration, check out the Central American thriller Sin Nombre. Also check out the brilliant Ali: Fear Eats the Soul and the family friendly Paddington (Amazon) for films about the migrant experience.

 

The Cursed Ones Film Difficulty Ranking: 2

Murder, witchcraft, corruption, and superstition. The Cursed Ones has a lot going on to keep you entertained for the duration of the film. If you’re looking for a story like the protagonist in this film, then watch The Cursed Ones for free on Flix Premiere.

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Why Watch The Cursed Ones?
  • To see that witch trials are still happening around the world (also see I Am Not A Witch)
  • If you love a good murder mystery
  • For a trip to a remote town in rural Ghana
  • Learn that the people are not always right (we are victims of fake news and scheming pastors)
The Breakdown

The Cursed Ones starts with a young pastor with a black eye listening to a tape recording. We hear that there has been murder in the town the pastor is from. It’s a flash forward, intended to get us quickly involved into the plot and watch on.

After the intriguing opening scene we get a lot of plot exposition. We are shown how one of the village hunters finds a young mute girl (Asabi) in the woods and brings her home. Then we follow Godwin, a journalist from the city, sent to cover the festival in the hunter and pastor’s home town. It’s obvious the town is remote. There doesn’t appear to be any running water or electricity and it’s surrounded by lush forests. It’s the perfect setting for a murder mystery.

Corruption in the Church & Witchcraft?

The director first shows the head pastor of the village talking to one of the villagers inside a pretty dark room. The lack of colour in the room, contrasted to the bright colours outdoors, makes the scene appear pretty ominous. It’s an early clue to the audience, that the head pastor should not be trusted.

In contrast to the head pastor, the young pastor is friendly and talkative, and is obviously committed to his teaching (he doesn’t leave his class to be interviewed by Godwin). Because of his popularity, he seems like the better fit for the head pastor role. As a result, the head pastor seeks extreme ways to control his congregation. He claims that the devil has found his way into the village and lives in the young ‘witch’, Asabi. He exploits the superstitions of the villagers to imprison Asabi, claiming that only he can save them if they kill her and continue to follow him.

The plot gets a little more complex when a witch doctor arrives on the scene and starts extorting money from the villagers to ‘protect’ their children from evil spirits. Whilst the head pastor challenges the villagers trust in this witch doctor, it later becomes clear that they have been colluding to extort money from the village. The whole story challenges the integrity of the church and gullible congregations.

Conclusion & what to watch next

The Cursed Ones challenges the integrity of the church and the gullible villagers that blindly follow them. They are both to blame for the murders and the witch trials. There’s a lot going on in this film, which makes the plot a bit busy, but will keep you entertained throughout.

For a more artistic portrayal of ‘witches’ in Africa, check out Zambia’s I Am Not a Witch. It features another young girl, who is accused of being a witch because she doesn’t talk. It dives deeper into the prejudices and strange superstitions.

If you liked the mystery element of this film, I recommend watching October 1. It’s a Nigerian movie that follows an old policeman trying to solve 3 murder cases in a rural town to help Nigeria achieve independence from Britain.