Experimental

Experimental: Films and videos by artists who transform our experience of seeing moving images

11

The Challenge – Gain Exclusive Access to the Richest Sheiks in Qatar

The Challenge Film Difficulty Ranking: 4

What would you do if you do if you had all the money in the world? Well, this film might give you a few ideas. These Qatari Sheiks have all the money in the world and are not afraid to spend it. Plus, more amazingly, director Yuri Ancarani has somehow got complete access to their lives. So this is your chance to see what some of the richest people do in their free time. You can watch it now with a free trial on Mubi (via Amazon).

Image result for the challenge ancarani

Why Watch the Challenge?
  • To gain exclusive access to the lives of Qatari Sheiks
  • If you like slow artistic films – this one has a lot of arty long shots and beautifully rich (pun intended) cinematography
  • To see if you can spot the 2001: A Space Odyssey reference. Hint: there’s a big black block in the middle of the desert signalling the evolution/height of mankind
  • Or simply to see what weird things you can buy with big money
The Breakdown

The Challenge starts intimately with a montage of close up shots of a few Sheiks. Each one of them is looking upwards with excitement in their eyes, not dissimilar to the eyes of an inquisitive child. Ancarani then cuts to what they’re looking at; a big warehouse full of birds of prey flying around. Then it’s your turn to feel surprised as you’re treated to a full 5 minute shot of this peculiar warehouse. Welcome to the life of the richest Sheiks of Qatar.

First you’ll be amazed by the weird things these rich Sheiks own. One Sheikh hops into a Lamborghini with his pet Cheetah sitting in the front seat on a leash. Then you’ll meet a group of Sheiks motorbiking through the desert on golden Harley Davidsons. Or maybe you’ll be surprised by a mass of 4 wheel drives speeding across sand dunes like surf boarders. It’s not a world that you’ll be used to (unless you’re a rich Qatari yourself) and the vibrant cinematography enhances the opulence.

However, as the film progresses, there’s one emotion that seems consistent with all the wealthy sheiks on screen. They all seem to be fighting boredom. This is even more noticeable with the complete absence of dialogue. As even though they take part in all these different activities, it still appears that it’s not interesting enough to talk about. There’s one particular scene where this is particularly obvious. There’s one Sheikh who’s on his knees in the middle of a room tending to a bird of prey and surrounding him are a load of Sheiks sitting slumped on cushions around the edge of the room. None of them look interested in the guy in the middle of the room. But none of them also look like they can be bothered to move to try and find something else to do. Does too much money equal boredom?

Conclusion and What to Watch Next

Whilst you may be put off by some of the long shots and sudden movements of the ‘bird cams’ you should be able to appreciate the cinematography of the film. The vibrant colours and sunsets caught on film only add to the opulent lifestyle that will be so foreign to many of us.

If you’re looking for a more political Middle Eastern film, I recommend checking out Ajami or Sandstorm from Palestine and Israel.

However, if you’re looking for more opulence, you should check out the Academy Award winner, The Great Beauty (Amazon rental) from Italy.

 

 

 

12

Ruinas Tu Reino – Deconstructing Latin American Cinema

Ruinas Tu Reino

Ruinas Tu Reino Film Difficulty Ranking: 5

We don’t believe in a cinema that yells “¡Viva la revolución!” but in one that instead formally critiques the structures that originally created the profound injustice that exists today.

Pedro Escoto, Director of Ruinas Tu Reino

If you’re not familiar with slow film or meditative cinema, the lack of story line and raw experimental shots of Ruinas Tu Reino might prove to be too much of a challenge. The long shots of the sea and fishermen sitting around makes the film feel more like a film exhibit you’d see in a modern art museum. However, if you have the patience to observe, you’ll find a film imbued with poetry; literally in words that appear on screen, and visually in the meditative shots of the fisherman’s existence. It’s a film that seeks to deconstruct Latin American cinema by transcending historical narratives, reverting to DIY production, and focusing on the power of very raw images.

To get more from this film, I strongly recommend reading Ela Bittencourt’s profile of Pablo Escoto for Lyssaria and also Pedro Escoto’s interview with Pedro Segura for Ojos Abiertos (in Spanish).

From: Mexico, North America
Watch: Trailer, Letterboxd, Vimeo (via Tweet from Director with Password)
Next: Mysterious Object at Noon, Too Early, Too Late, El Dorado XXI